6.29.2004

Making Art History on the Edge of Culture

Pulled an all-nighter Friday night. Started things out by catching the opening of Michael Moore's Farenheit 9/11, then stayed up reading On Top of the World. Jumped in the car at three a.m., picked up a Red Bull for me and a diet Coke for The Muse, and headed in to Cleveland to the East 9th Street pier for a pre-dawn gathering. Spencer Tunick was in town.

We gathered. Men and women. The black and the white. The short and the tall. The thick and the thin. The bearded and the clean-shaven. Blonde and brunette, long hair and short hair, curly hair and straight hair, pony-tailed and bald. Old and young. Mothers and fathers, sons and daughters, sisters and brothers, cousins and co-workers. Tatted and pristine. Pierced and not. Couples and groups and all alones. All shapes, sizes and colors.

And, shortly after dawn, with the wind coming in off the lake and the temperature a cool 57 degrees, 2,758 brave souls stripped bare in the name of art. Here's a nice shot of our sea of bodies, covering the pier and pouring up onto East 9th street in the heart of downtown Cleveland:


"Lie down and look serious."

Media coverage:

TV: CBS | NBC | ABC | Fox (lame)

Cleveland Plain Dealer: Slideshow | Tunick Interview | Journalist's Account

Akron Beacon Journal: 1 | 2 | 3

The host: MOCA Cleveland.

We'd do it again in a heartbeat.